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The other day I was thinking about the role of hoses in the visual history of science fiction.
Compositionally, (I don't think that's a word) they can be slapped on anywhere for no reason other than to serve the needs of the picture plain. (Was that a sentence?) Just ask
Wallace Wood, well, you
can't, but if you could and he was in a good mood, he'd point to any of his beautiful
EC Comics work from the 50's. Corrugated hoses plunging here and there from panels, helmets, consoles, etc.
Terry Gilliam's "
Brazil" certainly would lack visual punch without them. I think about important things.
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